Caretaker is one of the most prominent plays of its own kind, i.e. The Theatre of the Absurd (French: théâtre de l'absurde [teɑtʁ(ə) də lapsyʁd]) is a post–World War II designation for particular plays of absurdist fiction written by a number of primarily European playwrights in the late 1950s. In this play, Pinter also reflects life, the absurdness of the world, and the poor communication among the characters. Theatre Of The Absurd In The Caretaker ‘The Theatre of the Absurd’ is a term coined by the theatre critic and scholar Martin Esslin for the work of many dramatists, mainly written in the 1950s and 1960s. It is brilliant and I really am confused to see such low rating of Pinter's plays here on Goodreads. The term was used for the first time by Hungarian-born critic Martin Esslin in 1962. Caretaker by Harold Pinter. It questions the essential beliefs of human beings especially of the modern age. Answer: Theatre of the Absurd, in essence, refers to the dramatic plays which came in the 1950s and 1960s, written by European and American dramatists. It is also a term for the style of theatre the plays represent. the absurd play. The play finally ends as it begins. Born in London, son of a tailor and a housewife; he grew up in a middle-class neighborhood. The New York Times comments: "An old bum receives shelter in a cluttered room of an abandoned house. Theatre of the Absurd, dramatic works of certain European and American dramatists of the 1950s and early ’60s who agreed with the Existentialist philosopher Albert Camus’s assessment, in his essay “ The Myth of Sisyphus” (1942), that the human situation is essentially absurd, devoid of purpose.The term is also loosely applied to those dramatists and the production of those works. His samaritan is a gentle young man whose kindness is so casual that he seems almost indifferent. Theatre Of The Absurd In The Caretaker English Literature Essay . Pinter’s one of the wittily and absurd play The Caretaker (1960), the play has begun to think and he can arrange, the characters or dialogue. "The Caretaker" is the last play I read from the Pinter's collection I now investigate. In his early days he was a keen cricket player, acted in the school and also ... Another feature of the ‘absurd ‘ play is the deficiency of confirmation about the past and hereafter. They want to explain the society, the world, and life using a different point of view that life is indeed absurd. He may have vague yet insistent general ideas of what he wants the play to be, and its action grown from that. Pinter shows the influence of Beckett and theatre of the absurd in his earlier plays like The Room (1957), The Birthday Party (1958), and The Caretaker (1960). The Homecoming, Pinter’s tumultuous two-act play offering glimpses of the inner furies raging at the heart of a family of warring men, premiered in London in 1965, three years before the abolition of stage censorship in Britain.It was described by Pinter’s biographer, Michael Billington as a ‘Freudian play about sons filled with subconscious Oedipal desires’. It is a command technique that in every drama the drape comes down when it is least of all expected, when the given state of affairs is non completed at all. Before reading Pinter I was already acquinted and familiar with the works of Stoppard, Beckett and Ionesco all of whom seem quite alike to Pinter. However, the absurd authors seem to have reasons for the fight against society. 01: Discuss The Caretaker as an absurd play. According to Colman (1988), Harold Pinter’s play The Caretaker illustrates the inadequacy of the stable set, a solution concept of cooperative game theory proposed by von Neumann and Morgenstern (1944). 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